I've been reading Shannon Hale's The Goose Girl at last, after loving The Princess Academy . And I have to admit that all the attention Hale has received in the last few years is well deserved.
Hale is a meticulous writer, and her prose is full of lovely similes, gorgous descriptions, really creative character details(which is to say that she shows, rather than tells.. when it comes to internal landscapes)and a general fluency with language. She's a poetic writer. I even caught a little Emily Dickinson riff in there.
More importantly perhaps, Hale has a skill with creating worlds. Without ever sounding artifically olden-timey or high-falutin, she manages to evoke believable once-upon-a-timeness. This is something I envy her-- that she neither dips into the language of our world today, nor relies on grandiose speech.
In Princess Academy, I was blown away with Hale's imagination, with the element of "Quarry-speech (people can communicate through memory, and stone, but you'll have to read the book to really understand what that means) in particular. And though The Goose Girl shows a less innovative streak, I think that's mostly because she's set her book inside an old fairy tale, and (correctly I think) used the narrative scaffold to its fullest, leaving less room for wilder invention.
Both books do a really subtle job of integrating feminist (and also a bit of political) theory into the fairy tale universe, without ever being heavy handed, or pulling the reader out of the story/mythic realm. And this too is something I strive for myself, and struggle with-- how to NOT cave to the worst aspects of our canon/tradition, but to also preserve the "feel" of the fairy tale.
How to allow a princess her swoons and her crowns and her moments of weakness, and yet send a message to girls today that they DON'T need to wait for a prince.
Hale is really really good at walking this tightrope.
So all in all, I have to say that this woman just pretty much rocks the princess novel, hard. But there are two things I want to mention/ask about, in closing.
1. What do people think of the recent trend in fairy-tale retelling? In general? I mean, this isn't new, really (fairy tales have ALWAYS been retold, rewritten. That's one of the things that makes them fairy tales). But it does seems there's a lot of it today. From people like Sarah Beth Durst, whose new book delves into the Rapunzel myth in a far less traditional manner, to the wildly succesful (and not so new) Ella Enchanted. What do people think of these books? I ask mainly because I've noticed recent press for a few new books like this that are coming down the pipe in the near future, and I'm intrigued at why this is happening right now. I wonder what you folks have to say about this trend...
and also... another question related to Hale...
2. What do people think of Hale as a YA writer? While her books are longish, and they do involve a few innocent kisses and embraces here and there, I don't really read them as YA. Is this classification simply an issue of length, and the fact that this sort of fairy-tale mode requires princes and princesses, and so bumps into issues of dating/courtship/betrothel? I've dealt with this myself a bit for an upcoming book), and fought with the question of how to turn a child princess into a marriageable woman in 200 pages... and I find it a little bewildering. Since fairy tales (not to mention Disney movies) are full of love/dating/kissing but are NOT YA. In Hale's writing, I'm inclined to say that the tweenage princesses are really NOT YA characters, but fence-straddlers (which I like) and successfully so. But I don't know, and I wonder... how have other people handled this issue as writers, and responded to it as readers?
